Beyond standard features such as phase reverse, the 1972 adds powerful tone-shaping and corrective options that make recording problem sources simple.

The fully variable low-pass and high-pass filters allow precise removal of unwanted rumble or hiss, cleaning the signal right at the source. Complementing these is the Shape control - a musical tilt EQ that naturally rebalances bass and treble for a smoother tonal character.

Built around THAT Corporation's latest technology, the 1972's dual mic pre-amplifiers deliver ultra-clean, transparent performance with exceptional headroom.

Each channel provides up to 66dB of stepped gain with an additional ±12dB output trim. Switchable mic impedance ensures perfect matching to any microphone while also allowing you to fine-tune the tone of passive, dynamic, or ribbon mics.

Originally pioneered on the 1972, the Lift control makes recording very low-level signals easy. It raises quieter details transparently, avoiding added noise or clipping during louder passages. Particularly effective on dynamic material such as piano, vocals, and ambience, Lift preserves subtlety and detail even when levels fluctuate dramatically.

Technically, Lift leaves signals above 0dB untouched while progressively increasing gain below, adding up to 10dB between 0 and -30dB, and a further 10dB beneath -30dB.

With three switchable input impedance settings - 200, 600, and 2400 Ohms - the 1972 supports both precise microphone matching and creative tone shaping. Different mics and sources react in unique ways: some reveal pronounced tonal changes, while others respond more subtly, offering an extra dimension of sonic control.

The 1972 was recognised by the audio industry and nominated for a TEC Award at the 2024 NAMM Show.